The “Whistling Boy,” the famous bronze statue by Nikolaos Pavlopoulos, is the hallmark of Navarino Square. Placed at the center of its small fountain, the statue, both because of its posture and “pastime,” is like a younger sibling to that renowned brass statue of the peeing boy in the Grand Platz in Brussels. Don’t bother to remember street names like Ippodromiou, Svolou, Gounari, Isavron, just ask for Navarino.

This urban district comes laden with history, monuments and moods that evoke centuries past. It also conjures customs and behaviors that transport us, temporarily, to analogous, contemporary European cities. What am I saying, you might ask? These restored Roman ruins of a palace that was built at the end of the 3rd century AD by Gaius Galerius Maximus bear witness to Thessaloniki’s cosmopolitan and multiracial DNA. Do not forget to admire them, for it is like gazing into the depths of a pool of water in which you will find reflected Rome’s Via Dei Fori Imperiali.

But before I continue with my tour, a short lecture on Roman history is very much in order: Galerius’ marriage to Diocletian’s daughter, as well as the successful military campaigns that resulted in the defeat of the Persians, anointed him Caesar. He in turn chose Thessaloniki as the administrative and religious center of his crown. This is the reason for the reigning image of the region today: its distinct echoes not only of Rome, but also of Paris. In fact, in no other neighborhood will you find as many creperies and hole-in-the wall bars and cafés.

Welcome, then, to the most colorful, hippy crossroads of Thessaloniki, home to the free-wheeling, pluralistic tribes who inhabit it. And this little game of “spot the sister city” does not end here: let’s make our first stop Los Angeles, with its scores of tattoo parlors, edgy independent bookstores, Lilliputian computer and tech stores, comic book shops and hairdressers.

You enter a mere mortal but are soon transformed into a Compton Ghetto boy or a girl extra in a Lana del Rey clip. These imbue Navarino with something of the essence of the West Coast. There it is, I have forewarned you, but still I need to remind you: this is where the shades of antiquity and contemporary codes of pop culture comingle, converse and concur; the ghosts of Roman centurions stand guard at night next to young punk rockers. Along the length of Dimitris Gounaris boulevard that connects Egnatia Way to the sea, interwar apartment blocks in the modernist architectural style bear witness to what is arguably the most interesting pedestrian zone in Thessaloniki and home to the city’s final remnants of a middle class.

A bastion of tradition and ritual, they dine, for instance, in one of the many tavernas and restaurants where – and I say this off the record – some of the best grilled dishes found in Thessaloniki’s cuisine are served. When night falls, pull up a stool in one of the region’s many bars like a character in a Hopper painting. Take in the blaze of light from the marquees and shop windows and trace its reflection on the faces of passersby, or on the corners of street intersections. Now, finally, we are in New York City. Or perhaps we have returned to Baudelaire’s Paris, where the errant flaneur “reaches his spleen” – the culmination of the pleasure of perambulation – when, bewitched, he stands at the very epicenter of this urban phantasmagoria. Navarino is another country.

• Stefanos Tsitsopoulos is the Editor of Soul Magazine and Thessaloniki correspondent of the Athens Voice weekly free-press.