Leonidas Kavakos [b. 1967]

The oldest of the group, Kavakos, is not only a household name in Greece, but also a highly recognized virtuoso violinist across the world. Earlier this year he was awarded the prestigious Danish Léonie Sonning Music Prize, “for his decade-long enrichment of a large audience with his radiant interpretations.” The award is given annually to an internationally recognized composer, instrumentalist, conductor or singer and represents one of the highest musical honors.

And yet, Kavakos is not one to rest on his laurels. Always reserved, with great personal integrity and a never-waning sense of responsibility towards his art and his audience, he works tirelessly away from the limelight to achieve perfection in each of his performances.

Kavakos was born to a musical family and began playing the violin at the age of 5 after receiving one as a Christmas present. At the age of 18 he won the International Sibelius Competition, and since then he has been performing with the most esteemed orchestras around the world, not only as a violinist but also as a conductor.

Teodor Currentzis [b. 1972]

He has been called the “enfant terrible” of Classical music, and also the “conducting equivalent of Glenn Gould morphed with Kurt Cobain.” Unorthodox and striking with his youthful, ‘dandy-gothic’ style, Currentzis is unlike any conductor that has come before, rebellious in how he understands and interprets classical music.

He was born in Greece but has been living in Russia since the early 1990s when he moved there to study conducting at the Saint Petersburg Conservatory. Currentzis is now a Russian citizen and permanent resident of a remote, freezing small town in the Urals called Perm. There, he and Musica Aeterna, the orchestra and choir of like-minded artists he formed in 2004, are making music the way they want to “…in an anarchistic way,” as Currentzis likes to say, going against the existing, defined by mass culture, musical system.

His most impressive achievements so far are the studio recordings of three Mozart operas based on librettos by Da Ponte (Le Nozze di Figaro, Cosi fan tutte, Don Giovanni), which, by general consensus, are so authentic they might have been conducted by Mozart himself. In Currentzis’ words, “I am doing what I think [Mozart] would be doing if he were here in Perm with this orchestra.”

Dionysis Grammenos [b.1990]

Despite being the youngest of the group, clarinetist Dionysis Grammenos is no stranger to success. Born and raised in Corfu with its rich musical heritage, he began studying the clarinet at the age of 8 and his musical intelligence and virtuosity quickly became apparent. His international career was launched when he won the First Prize at the Eurovision Young Musicians competition in 2008. In 2013 he was subsequently awarded the Rising Stars prize by the European Concert Hall Organization (ECHO).

Hailed as “the new prince of the clarinet,” Grammenos is also one of the most charismatic conductors of his generation. He made his conducting debut with the Vienna Chamber Orchestra and has performed in some of the world’s most prestigious venues, including Carnegie Hall, the Vienna KonzertHaus and Berliner Philharmonie. Last year he was the first Greek to receive a conducting fellowship at the esteemed Aspen Music Festival and School in the US.